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[討論]Be yourself

房東:海島
發表時間:2009-10-19
[檢舉]


最近

真的很多一些無意義的文章 ((看了我也心癢癢

一堆人一直拿CICO來比較 大地版和風格

一堆人都只知道CICO 其他前輩不是人

KenSwif是誰你知道嗎?
KING UPROCK呢?
POE ONE 呢?

不要只知道一個大地版很強的其他前輩都完全不了解 就說你很了解breaking是什麼

一堆人自以為自己很了解breaking 很多東西都完全不知道 就在那邊爭

引用:HRC BBOY 柏均http://www.battlezone.url.tw/

\"\"BBOY的觀念及歷史需要稍微了解,Foundation是很重要的!BBOY是藝術,沒有最好,沒有一定,也沒有永遠的第一!所有的風格都是對的,練自己想練的風格並尊重每一個人的東西!\"\"





以下轉載 http://www.battlezone.url.tw/

三位大師的觀念:
Advice to up and coming B-boys and girls (Ken Swift)
- Respect your mind and body
- Enjoy breaking for what its truly worth
- Remember this is a dance
- In business, protect yourself
- See the world if you can
- Challenge yourself first, your main battle in life may be with yourself
- Ask questions
- Always respond quick when you get hit by a dope move
- Control your anger
- Let your dance do the talking
- Try to master all styles
- Learn the history
- Set goals
- Train hard
- Know your priorities and be responsible for your own actions

10 Bboy Rules: By Mr. Freeze of Rock Steady Crew

1) Show people respect
2) Learn your B-Boy history
3) Keep your moves on beat
4) Learn all your foundations
5) Don\'t do just flare and headspins
6) Always be ready to battle
7) Always Up Rock/Top Rock before you go down
8) Always hold your freezes for at least 1.5 seconds.
9) Do not steal moves unless the inventor gave you permission to use his move.
10) Always represent B-Boys as a positive role model no matter where you go in this world.

10 Ten Rules 2 Breakdancing: By PaQ-Rock

10) Ground-work is a necessity. Without that element, even with your style, without that magical touch, your dancing won\'t have that \"flavor\" to stay alive when battling with other breakers. Ground-work/footwork is a spice that creates flame. An analogy I love to use is: Ground-Work is the Ranch dressing on top of the vegetarian salad.

9) Balance yourself. Too much power moves/too much footwork isn\'t necessarily a bad thing. But a true bboy has divided skills in all parts of the breakdancing repertoire molded into his own style. To put it into simpler terms, mix your style. Bust out with a \"six-step/flare\" combination now and then. A \"windmill-freeze\" wouldn\'t hurt the judging panel either. Mix and Match. Power Moves and Footwork are meant to be merged, take full advantage of that fact.

8) Collect. After each battle, regardless if you were burnt or you served, always collect knowledge from how you performed and even from how your opponent performed. Through battles you DO make a name for yourself, but next to that, battles should also be used as training grounds, in terms of you learning - learning from mistakes.

7) I disagree with the \"Helmet Rule\". Wearing a helmet when head-spinning doesn\'t make you a fake. I\'ve seen breakers who wear helmets burn the shit out of the best top-notch breakers out there. Wearing helmets or NOT wearing helmets means jack-shit. Besides a \"headspin\" is ONE move compared to the hundreds of other moves in the breakdancing dictionary. Just because you cannot perform a headspin without a helmet doesn\'t mean you \"suck.\" I\'ve seen helmet-wearers initiate the best windmills or the most stylish air-flares. Helmets are just an aid, people shouldn\'t judge a breaker and call them a \"sorry\" dancer, just because he/she wears a helmet.

6) Respect. Your mother always told you to treat others the way you want to be treated, and to respect everybody around you. Well, the same goes for the breakdancing culture. People may dance differently, others may have a funky-looking up-rock. It doesn\'t matter. Despite how other breakers dance, you should always respect their skill. Old School, New School, we are all in this together, and there is no reason why ANYBODY should be making fun of others. Breakers who don\'t have respect for one another are a disgrace.

5) Flowing with the music. Another important element you may need to get the crowd going. Techno, Hip Hop, Rap, Country!?! ya know, doesn\'t matter. Every breakdance routine should always connect with the music. Even if you have Barry Mandelow\'s soft and slow melodies on the radio, your routine should still match with the music, even if it means to do a super slow six-step and whatnot.

4) Creativity. I don\'t know how many of you out there read my articles. But if you notice I heavily stress that creativity is a necessity when it comes to breakdancing. Learn to have an Imagination! I said it before, I’ll say it again: \"Copying can take you so near to notorious ill-fame, Correctitude can only bring you so far, but Style is what separates you from the whole crowd, and it shows who YOU are as a breakdancer.\"

3) Never imitate. Imitating the skill of others will just get you bitch-slapped. It\'s awright to analyze and innovate moves but it\'s not OK to just mimic every single move that another dancer does. Sure you have topnotch breakdancers who create the up most stylish techs ever, but who\'s to say you can\'t to do the same? By choosing to learn the craft, you put yourself in a position to create your own style (in terms of techs, and whatnot.) And that\'s a job you have to uphold in order to be recognized.

2) Getting used to Battlegrounds. You walk into the mall and come across another breakdancer who challenges you. The floor is a smooth and white porcelain. Another scenario: maybe you\'re walking in an alleyway with your boys, and come across this other crew who challenges you. The alleyway street is rough and rocky. You might even meet up with another bboy/bgirl atop a house (on the roof?), who knows. Regardless of where you are, you always have to be prepared to battle. The ground on which you battle on is a huge factor as to you wanting to battle. You might be terrified to get scarred up when doing a windmill on the rough streets, or how can you possibly smooth out a backspin on grass? Therefore, you have to practice on all types of terrain and get the feel of all battlegrounds.

1) You are a breakdancer. You don\'t dance to impress girls and things to that effect (although some of us do that.) And it\'s pretty normal. I see dancers who dance just to gain attention and popularity. But behind all that bullshit you have to trace yourself back and realize that you are part of a beautiful culture. Breakdancing is an art. Breakdancers are the artists. Always represent the breakdancing class in a positive way. Represent yourself, not as \"the kid who has the dope dancing skills\" but rather the \"breakdancer, who can be the best he/she can be\".

以上大家看看就好



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  • 1 樓住戶:哎呀
    發表時間:2009-10-19
    [檢舉]

    三位大師的觀念:
    諮詢的行動和未來乙,男孩和女孩(肯斯威夫特)
    -尊重你的身心
    -享受打破了其真正的價值是什麼
    -請記住這是一個舞蹈
    -在企業中,保護自己
    -看世界,如果你能
    -挑戰自我首先,你在生活中主戰可能與自己
    -提出問題
    -快速反應總是當你撞了興奮劑行動
    -控制你的憤怒
    -讓您的舞蹈來說話
    -嘗試掌握所有樣式
    -了解歷史
    -設定目標
    -火車硬
    -了解你的優先事項和負責你自己的行為

    10 Bboy規則:通過凍結先生岩石穩定船員

    1)顯示人民的尊重
    2)了解您的B -男孩歷史
    3)保持自己的行動在街道上巡邏
    4)了解所有的基礎
    5)不要那樣做眩光和headspins
    6)隨時準備投入戰鬥
    7)始終高達搖滾/ Top搖滾下去之前
    8)您的凍結始終保持至少1.5秒。
    9)不要偷移動,除非發明給你允許使用他的做法。
    10)始終代表乙,男孩是一個積極的榜樣,無論您走到哪裡,在這個世界。

    10 10規則2街舞:通過職位分析問卷搖滾

    10)地面的工作是必要的。沒有這一因素,即使你的風格,沒有這種神奇的觸摸,你不會跳舞的“味道”時,為了生存的爭奪與其他斷路器。 Ground-work/footwork是一種香料,創造火焰。比喻我喜歡使用:地面工作是牧場調料之上的素食沙拉。

    9)平衡自己。權力太大動作/太多的步法不一定是壞事。但是,一個真正的bboy技能分為所有部位的霹靂舞劇目塑造成自己的風格。為了將其付諸於簡單來說,混合你的風格。胸圍出,“six-step/flare”現在,然後結合。一個“風車,凍結”不會傷害任何的評委。混合和匹配。電源和步法移動,目的是要合併,充分利用這一事實。

    8)收集。在每一次戰鬥,不管你被燒死或送達給你,總是收集知識,你如何表現,甚至從你的對手表現如何。通過戰鬥使你自己的名字,但旁邊的,戰鬥也應作為訓練場,在你的學習條件-從錯誤中學習。

    7)我不同意“頭盔規則”。頭戴鋼盔頭紡不會使你是假的。我見過斷路器誰戴上頭盔狗屎燒出最好的頂尖斷路器那裡。戴頭盔或不戴頭盔的手段插孔,狗屎。除了一個“headspin”是一招數百相比其他移動字典中的霹靂舞。僅僅因為你不能執行headspin沒有頭盔並不意味著你“吸。”我已經看到了頭盔佩戴者最好的風車啟動或最時尚的空氣彈。頭盔只是一個援助,人們不應該判斷斷路器,並要求他們“對不起”的舞蹈家,只是因為他/她戴著頭盔。

    6)尊重。你母親總是告訴你對待別人你想要的方式加以處理,並尊重你周圍的每一個人。那麼,也是一樣的街舞文化。人們可能會以不同的舞蹈,其他人可能有一個時髦,查找岩。不要緊。儘管其他不法分子如何表演,你總是應該尊重他們的技能。老學校,新學校,我們都在這個在一起,沒有任何理由要成為別人的樂趣。破碎機誰沒有相互尊重是一種恥辱。

    5)流動的音樂。另一個重要因素,您可能需要得到觀眾去。科技,嘻哈,Rap,我的國家!?!亞都知道,不要緊。每一個霹靂日常應始終連接音樂。即使你有巴里Mandelow的軟和緩慢的旋律在電台,你的日常仍應配合音樂,即使這意味著做一個超慢六步和諸如此類的東西。

    4)創新。我不知道有多少你那裡看我的文章。但是,如果你注意到我重強調,創意是一個必然說到街舞。學習有一個想像力!以前我說,我再說一遍:“你可以採取複製,使附近的臭名昭著的妓院,端正只能為您帶來到目前為止,但風格是分開你從整個人群,它表明你是誰作為breakdancer。“

    3)切勿模仿。模仿他人的技巧只會讓你婊子,打耳光。這awright分析和創新舉措,但它不是僅僅模仿確定每一個移動的另一名舞者一樣。確保您有一流breakdancers誰創造了有史以來最時髦的科技股,但誰在說你不能這樣做?通過選擇學習工藝,你把你自己有能力創造自己的風格(在科技股方面,和諸如此類的東西。)而這工作你一定要堅持以得到承認。

    2)獲取用於戰場。你走進商場和遇到另一breakdancer誰應對各種挑戰。該樓層是順利和白瓷。另一種情況:也許你走在一個小巷裡有你的男孩,遇到這種其他船員誰應對各種挑戰。胡同街道的粗糙和岩石。你甚至可以達到與另一bboy / bgirl之上的房子(在屋頂?),誰知道。無論你在哪裡,你總是必須準備投入戰鬥。地面上,您交鋒是一個巨大的因素,你想要戰鬥。你可能會害怕讓傷痕累累的時候做了風車在粗糙的街道,或者你怎麼可能順利出草地上旋球?因此,你必須實踐的所有類型的地形和感受得到的所有戰場。

    1)你是一個breakdancer。你不會跳舞女孩留下深刻印象的事是影響(雖然有些對我們這樣做。),它是正常的。我看到舞者跳舞只是誰得到關注和歡迎。但背後的廢話你要跟踪你回來意識到你的一部分,一個美麗的文化。霹靂舞是一門藝術。 Breakdancers是藝術家。始終代表霹靂類以積極的方式。代表自己,而不是“誰的孩子有塗料舞蹈技能”,而是“breakdancer,誰可以成為最好的,他/她可以”。

    以上大家看看就好




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